“Are they yours?” she asked. She had never connected them with the works, some half a mile away. Though had she been curious, she might have learnt that they were known as “Allway’s Folly.” “A little child is coming,” she confided to Joan. She was quite excited about it.!

The firelight played about her hair. “I suppose every woman dreams of reviving the old French Salon,” she answered. “They must have been gloriously interesting.” He was leaning forward with clasped hands. “Why shouldn’t she?” he said. “The reason that our drawing-rooms have ceased to lead is that our beautiful women are generally frivolous and our clever women unfeminine. What we are waiting for is an English Madame Roland.” “You’re not offended?” he asked. “At my thinking you beautiful?” he added, in case she hadn’t understood.

“Does she know about Richmond Park—and the other places?” asked Flossie. Arthur Allway was her cousin, the son of a Nonconformist Minister. Her father had taken him into the works and for the last three years he had been in Egypt, helping in the laying of a tramway line. He was in love with her: at least so they all told her; and his letters were certainly somewhat committal. Joan replied to them—when she did not forget to do so—in a studiously sisterly vein; and always reproved him for unnecessary extravagance whenever he sent her a present. The letter announced his arrival at Southampton. He would stop at Birmingham, where his parents lived, for a couple of days, and be in Liverpool on Sunday evening, so as to be able to get straight to business on Monday morning. Joan handed back the letter. It contained nothing else. She ought to have insisted on their going to a decent shop. The mere advertisement ought to have forewarned her. It was the posters that had captured Mrs. Phillips: those dazzling apartments where bejewelled society reposed upon the “high-class but inexpensive designs” of Mr. Krebs. Artists ought to have more self-respect than to sell their talents for such purposes.